The idea of following the torturers rather than the tortured allows for some fresh material, and certainly these two guys breathe some life into the production it helps that both Roger Bart and Richard Burgi are very good actors here. Here, director Eli Roth decides to blow the lid off the whole kidnap-and-torture plot, showing us how the business works through a plot strand which follows two American businessman from their initial bidding over their mobile phones to their turns as torturers. German is very attractive but her character is far too tough and never really feels to be in much danger. The final girl of the three is also the heroine, as played by Lauren German. Matarazzo goes way over the top and is only really convincing in her inevitable torture sequence. Meanwhile, Heather Matarazzo is a stock nerdy girl, all big teeth and speaking intellectually, and her character quickly grates. Of the three main girls, two are stereotypes, with Bijou Phillips acting abominably as the bimbo type. There aren't really any sympathetic characters here. Jay Hernandez, who played the hero, Paxton, in the first movie returns here for a short appearance – and I hate what they did with his character, considering how great he was in the original – and his performance reminds you just how sympathetic a character he was.

The twist here is that the protagonists are all females, but sadly the central casting leaves something to be desired. Sadly, HOSTEL: PART II is an essentially lacklustre follow up, a film that for the majority of the running time simply reprises the characters, locations, and storyline from the first film without adding much in the way of new stuff to the brew. I absolutely adored the first HOSTEL film so when I heard about the sequel coming out, I knew I had to go and see it at the cinema. Reviewed by Leofwine_draca 4 / 10 A sequel that feels tired and repetitive compared to the first

It's a story of human monsters and the almighty dollar as only Eli Roth could tell it.-Paul Nomad of

Hostel 2 also follows two American men who are willing to pay to join an exclusive club where a life will end at their hands-any way they like. What they get is a living hell in which they are sold to the highest bidder, whose fondest wish is to kill them slowly. Three female college students take a detour from their partying, enticed by a beautiful European woman who promises seclusion, safety, and maybe even romance.

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